Latvijas Avīze Maija Svarinska
The second act has a truly brilliant approach in terms of ideas. We see the characters in the same space, but for some reason it is about one and a half metres above the stage floor. All the characters communicate with each other as before, but at the same time their feet in red boots are visible down there - on the real theatre stage. And now these characters are dressed completely differently, like foil-wrapped cartoon characters or avatars, and their playful movements mimic robots (choreographer Elīna Gediņa). In the end, however, you realise that the action is continuing in a virtual world, with the help of video, where a whole team of video specialists, headed by video artist Jakub Lech, has been involved in the co-creation of this environment. This is crucial for the philosophical revelation of the show’s essence...